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ELECTRIC SOUNDS: TECH CHANGE & RISE CORP MASS MEDIA

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Business & Economics

Mass Communications & Publishing

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B2B & B2C

Focuses on the innovations in the electronic production and transmission of sound in the 1920s and &apos;30s and their explosive impact on the American mass media, especially the radio, the phonograph, and the cinema.

Electric Sounds: Technological Change and the Rise of Corporate Mass Media

Library Adult

College Freshman

College Junior

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Electric Sounds

Duration

Duration Unit Of Measure

Transaction Type

Front Cover.
Half Title Page.
Title Page.
Copyright Page.
Other Frontmatter.
Contents.
Acknowledgments.
Electric Sounds.
Introduction.
1: Technological Innovation and the Consolidation of Corporate Power.
2: &#x0022;A Roaring Empire of Commerce&#x0022;.
3: Industrial Research, Patents, and Economic Closure Mechanisms.
4: Posing the Question: What Is Broadcasting?.
5: Grafting New Technology Onto Old Media: Phonograph and Cinema.
6: Putting Broadcasting on a Commercial Basis.
7: Multiple-Media Conglomerates and Cross-Media Links.
Conclusion.
8: Announcing Technological Change.
9: Public Performances of Technology.
10: Becoming &#x0022;Sound-Wise&#x0022;: Consumer Pedagogy.
11: History Is Progress: Corporate Embodiment and the End of &#x0022;Cut and Try&#x0022;.
12: Utopian Visions.
13: &#x0022;Science Finds, Industry Applies, Man Conforms&#x0022;.
14: From Performing the Recorded to Dissimulating the Machine.
15: Constructing the Phonograph&#x0027;s Domestic Identity.
16: Radio Enters the Home.
17: Movie Projectionists as Performers.
Conclusion.
18: Making Sound Media Meaningful: Commerce, Culture, Politics.
19: Commerce.
20: Culture.
21: Politics.
Conclusion.
22: Transcription Versus Signification: Competing Paradigms for Representing with Sound.
23: Sound Recording Practice Before the Electrical Era.
24: Acoustic Representation by Electrical Means.
25: Transcription Versus Signification in the Initial Vitaphone and Movietone Releases.
26: The Big Broadcast: Conflicting Models for the Relationship Between Technology and Representation.
27: Hollywood&#x0027;s Sound Practice Debates.
28: Signifying Fidelity: Hollywood&#x0027;s Changing Sound Practice and a Third Conceptual Paradigm.
Conclusion.
Conclusions/Reverberations.
Notes.
Index.
Film and Culture.
Front Cover.
Half Title Page.
Title Page.
Copyright Page.
Other Frontmatter.
Contents.
Acknowledgments.
Electric Sounds.
Introduction.
1: Technological Innovation and the Consolidation of Corporate Power.
2: &#x0022;A Roaring Empire of Commerce&#x0022;.
3: Industrial Research, Patents, and Economic Closure Mechanisms.
4: Posing the Question: What Is Broadcasting?.
5: Grafting New Technology Onto Old Media: Phonograph and Cinema.
6: Putting Broadcasting on a Commercial Basis.
7: Multiple-Media Conglomerates and Cross-Media Links.
Conclusion.
8: Announcing Technological Change.
9: Public Performances of Technology.
10: Becoming &#x0022;Sound-Wise&#x0022;: Consumer Pedagogy.
11: History Is Progress: Corporate Embodiment and the End of &#x0022;Cut and Try&#x0022;.
12: Utopian Visions.
13: &#x0022;Science Finds, Industry Applies, Man Conforms&#x0022;.
14: From Performing the Recorded to Dissimulating the Machine.
15: Constructing the Phonograph&#x0027;s Domestic Identity.
16: Radio Enters the Home.
17: Movie Projectionists as Performers.
Conclusion.
18: Making Sound Media Meaningful: Commerce, Culture, Politics.
19: Commerce.
20: Culture.
21: Politics.
Conclusion.
22: Transcription Versus Signification: Competing Paradigms for Representing with Sound.
23: Sound Recording Practice Before the Electrical Era.
24: Acoustic Representation by Electrical Means.
25: Transcription Versus Signification in the Initial Vitaphone and Movietone Releases.
26: The Big Broadcast: Conflicting Models for the Relationship Between Technology and Representation.
27: Hollywood&#x0027;s Sound Practice Debates.
28: Signifying Fidelity: Hollywood&#x0027;s Changing Sound Practice and a Third Conceptual Paradigm.
Conclusion.
Conclusions/Reverberations.
Notes.
Index.
Film and Culture.

Electric Sounds: Technological Change and the Rise of Corporate Mass Media.css-1p8rvzy{position:absolute;padding-left:8px;}

Electric Sounds: Technological Change and the Rise of Corporate Mass Media