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Pop Art and the Origins of Post-Modernism

POP ART AND THE ORIGINS OF POST-MODERNISM

Visual Arts

Media & Fine Arts

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Harrison's study examines the critical reception of Pop Art, comparing the ideas of its New York-based critics with the strikingly similar body of thought now associated with deconstructive post-modernism. Pop Art thus spawned not only visual commentary on post-war society, but also the subversive critical consciousness now dominant in academe.

POST SECONDARY FOUR YEAR

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Front Cover.
Other Frontmatter.
Other Frontmatter.
Title Page.
Copyright Page.
Contents.
Introduction.
1: Theoretical Framework.
2: Post-Modernist Assumptions.
3: &#x201C;Social&#x201D; Critics.
4: Lawrence Alloway: Pop Art and the &#x201C;Pop Art&#x2013;Fine Art Continuum&#x201D;.
5: Harold Rosenberg: Pop Art and the &#x201C;De-definition&#x201D; of Both Art and &#x201C;Self&#x201D;.
6: Leo Steinberg: Pop, &#x201C;Post-Modernist&#x201D; Painting and the Flatbed Picture Plane.
7: &#x201C;Philosophical&#x201D; Critics.
8: Barbara Rose: Pop, Pragmatism, and &#x201C;Prophetic Pragmatism&#x201D;.
9: Max Kozloff: A Phenomenological Solution to &#x201C;Warholism&#x201D; and its Disenfranchisement of the Critic&#x0027;s Interpretive and Evaluative Roles.
10: &#x201C;Cultural&#x201D; Critics.
11: Susan Sontag: Pop, the Aesthetics of Silence, and the New Sensibility.
12: Conclusion.
Notes.
Index.

Pop Art and the Origins of Post-Modernism.css-1p8rvzy{position:absolute;padding-left:8px;}

Pop Art and the Origins of Post-Modernism