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By Lyndsey England, Gale Ambassador at Durham University
I am a second-year student at Durham University, studying a joint degree in English Literature and History. My main areas of interest are African history and post-colonial literature, but when I’m not tucked away behind a stack of books in a corner of the library or promoting Gale, I’m busy with Durham Student Theatre, working backstage and on the production team for a number of performances each year. In amongst all this, I also try to find the time to write, because I am currently juggling a shamefully large amount of works in progress.
“He has two girdles upon his body, like the wings of a dragon, from his back down to his belly … his skin is so hard, that no dart is able to pierce it, and covered over with scales, like the shell of a tortoise.”
Accompanying this fantastical description is a sketch of the armoured creature beside another well-famed although mythological beast, the unicorn:The document looks more like an extract from a mock up of J. K. Rowling’s Fantastic Beasts and Where to Find Them than a work of natural history and is almost amusing in its exaggerated rendering of the rhino. Yet, there is immense poignancy in the fact that Boreman placed this very real creature beside an illustration of a unicorn, an animal currently only associated with dreams and the make-believe. Indeed, with the death of Sudan, the last northern male white rhino, in March 2018, the rhinoceros’ species as a whole has moved closer towards extinction. In only a matter of time, these grey giants may fade entirely into the mythological realm occupied by the dragons and unicorns Boreman described in the 1700s.
Considering other early accounts of the rhinoceros, this sad reality is difficult to fathom. In his ‘Natural History of Beasts’, Stephen Jones drew attention to the rhinoceros’ brute strength:
‘The tiger will more willingly attack any other enemy’ than the rhinoceros, he wrote. ‘It is defended on every side’ with skin that ‘cannot be pierced by the claws of the lion or the tiger’. Despite this, an animal as physically weak as man has thwarted the impenetrable ‘thick thorny hide’ that had otherwise protected this creature for centuries, transforming it from a ‘formidable creature’ into a critically endangered one.
The ‘weapon’ that Jones outlines as the rhino’s chief means of defence has been transformed into its greatest weakness – its horn.
Popular discourse on the rhinoceros has frequently revolved around the animal’s magical properties.
Moving away from the eighteenth-century collections, its close affiliation with the unicorn has been outlined even in more modern times, and it is this fantastical presentation of the animal which has contributed largely to its decline. In transforming the rhino into an object of magic and wonder, the world has conspired against it.
Of course, these perceptions are not limited to the Western world. Most notably, in the Far East, the mythology surrounding the rhinoceros is extensive. In the 1800s, in a periodical entitled The China Review: Or, Notes And Queries On The Far East (now included in Gale’s Archives Unbound collection 19th Century English-Language Journals from the Far East), one of the magical uses of rhino horn is described as follows:
‘A Dark Side to the Tale’
With this persuasive storytelling casting a long shadow over the rhinoceros’ future, it is no surprise that numbers are dwindling. Coupling this with the emergence of a modern folklore that stipulates powdered rhino horn can cure cancer, rhino poaching has increased dramatically.
Despite governments implementing severe laws regarding the trade of rhino horn, protecting the species remains difficult. As The Economist noted in 2011, ‘such heavy-handed law enforcement undermines support for conservation among locals’.
It seems as though, even at its most vulnerable, the rhinoceros cannot shake its persona as an intimidating beast – something captured visually in the cartoon above. Unless the fragility of the rhinoceros is truly absorbed into global consciousness soon, these creatures will, in time, be entirely lost to the fables that have given them their fame.