“What we may expect”: The Corrupting Power of Power

A Bloater (fish) from Yarmouth, drawing. "The Utilisation of Bribery." Punch, October 13, 1866, 150. Punch Historical Archive, 1841-1992

│By Ellen Grace Lesser, Gale Ambassador at the University of Exeter│

We have all heard the maxim, “Power corrupts”. This has been altered in recent years, and now you may hear an alternative: “Power brings out people’s true colours”. It is not that power necessarily makes anyone “bad”, but that if a person is already “bad”, this is highlighted when they gain power. Yet is it the power itself that does this to people, or is it the desire for power? In this post, I will investigate the coverage of political bribery scandals from sources in The Sunday Times Digital Archive and The Times Digital Archive to see where the corrupting power of power truly lies.

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Cultural Appropriation or Swiftian Satire? Gilbert and Sullivan’s The Mikado

“The Mikado.” Illustrated London News, 4 Apr. 1885

| by Masaki Morisawa, Senior Product Manager, Library Reference, Tokyo |

Last year, an American high school student’s twitter account flamed up when she posted prom pictures of herself wearing a cheongsam, or Chinese dress. Some Asian Americans accused her, who is not of Chinese descent, of cultural appropriation. “My culture is NOT your [expletive] prom dress,” wrote one particularly upset commenter. Others, including many Asians living in Asia, defended her actions and dismissed such criticism as irrelevant.

While “cultural appropriation” is a fairly recent term, similar debates have arisen in the past where the borrowing of “exotic” elements from foreign cultures have been criticised as offensive or disrespectful. One such example is Gilbert and Sullivan’s opera The Mikado, a work that is often hailed as the duo’s masterpiece, yet at times has stirred controversy due to its use of Japanese costume and settings. In this post I would like to take a look at the history of Mikado performances and the controversies surrounding them.

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The Ultimate Showman: Freddie Mercury’s untold relationship with the UK press

By James Garbett, Gale Ambassador at the University of Exeter

When Freddie Mercury, lead singer of Queen, passed away tragically in November 1991, many newspapers mourned the passing of one of the greatest musical legends of all time. Much has already been written of the lavish and decadent parties that Mr Mercury had in his too-short lifetime, however utilising the vast wealth of archives in Gale Primary Sources, such as The Times, Archive of Sexuality & Gender and others, a new perspective can be found regarding the incredible showman and his relationship with the press.

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“U.S. Disavows Apology, Then Signs It” The Pueblo Incident of 1968

“If you fancy a long weekend with a difference,” writes The Times’ travel section of 18 February 2006, “Regent Travel has a five-day break to Pyongyang, North Korea’s highly planned capital”. The article then mentions, as one of the highlights of the tour, that “You’ll also get to board USS Pueblo, the U.S. spy ship captured in 1968.”

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Happy 75th Birthday Mick Jagger!

Mick Jagger, famous rock singer in the iconic band the Rolling Stones, celebrates his 75th birthday today, 26th July 2018. I remember asking my mum excitedly when I was a teenager who she liked best: the Beatles or the Rolling Stones, thinking she would say the Beatles. She replied, “Beethoven of course!” and with a sigh I realised I wouldn’t be finding any memorabilia stashed away in a dusty box to take along to Antiques Roadshow.

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The Rise and Fall of Space Invaders in the British Press

“In the spring of 1978, Taito approached Midway about distributing a new arcade game in the United States. The game had originally been invented as a hexadecimal test used for evaluating computer programmers. Someone decided to convert the test into a video game that Taito distributed in Japan, despite the unenthusiastic blessing of company executives. The game was called Space Invaders.”
Kent, Steven L. The Ultimate History of Video Games, New York: Three Rivers Press, 2001, p. 116

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Trouble in Toxteth: Representations of the 1981 Riots in Liverpool in the National Press

By Megan Murphy

Although Toxteth (an inner-city area of Liverpool) is now a proud and diverse community – one that is home to many independent businesses, local street markets and an urban regeneration project that was awarded the Turner Prize in 2015 – it is an area with a troubled past. In July 1981, four consecutive days of rioting in Toxteth resulted in the hospitalisation of 258 police officers, 160 arrests, 150 buildings being burnt to the ground, and countless businesses looted, with more destruction and injuries in the weeks that followed.[1]

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The Original Dixieland Jazz Band – Centenary of the first Jazz record

Jazz-Original-Dixieland-Jazz-Band-elegantly-attired-(2)

In New Orleans, Jazz began its history around 1895 with the cornetist Buddy Bolden, whom Adrian Troy called Jazz’s first great exponent.[1] Bolden was depicted by Michael Ondaatje in his 1976 novella Coming through Slaughter as a jazz pioneer, struggling with alcoholic psychosis. Writing in The Times in 1992, Clive Davis also named Bolden the first legendary New Orleans jazz figure – legendary in that unlikely tales surround his mythical status, such as that ‘on certain nights, his playing could be heard miles away.’[2] Unfortunately, no recordings of Bolden are known to exist and despite the allure of rumored cylinder recordings dating to 1894 we only have the likes of Ondaatje’s novella to evoke the sound of one of the world’s first Jazz icons.[3]

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Gazza, Platini… and Zagorakis: Five Highlights from European Championships Past

It is a familiar time for football fans across Europe. Flags decorate bedroom windows, cars, and  the faces of millions of hopeful fans, believing that this may be their year. It can only mean the beginning of another football tournament: UEFA Euro 2016.

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