header-component

container

mega-menu

Browse by Institution Type

Browse by Product Type

Products

Support

secondary-storefront-menu

International

North America

China

Japan

Latin America

Brazil

Region

Set your region:

footer

secondary-primary-menu

About Us

Blogs

Press Center

Events

News

Careers

Our Company

Request a Trial

zone2

footer-legal-menu

Terms of use

Privacy

products

Marketing materials, training documents, discovery services

cengage:card

FIND YOUR SALES REPRESENTATIVE

cengage:column

Get marketing materials, training documents, discovery services.

PRODUCT SUPPORT

CUSTOMER SUPPORT

Report technical issues, errors, check system status

TECHNICAL SUPPORT

Manage product preferences, generate usage reports, simplify administrative tasks.

ADMIN TOOLS

support

cengage:galethorndikeseo

single-column

Would you like to go to the Gale {{RECOMMENDED_COUNTRY}} site instead?

It looks like you're visiting from {{DETECTED_COUNTRY}}.

main

zone1

Account Information

bundle-connector

footer-menu-component

footer-social-menu

Sign Up for Emails

CONNECT WITH GALE

Stay up-to-date with the latest Gale news, exclusive offers, and more.

facebook

linkedin

instagram

youtube

SOCIAL ICONS

config

%1 products have been added to your cart but %2 have been backordered and will be fulfilled when stock is available

Product on backorder

Current quantity limit is [maxProductQuantity], please, navigate to the cart page and change quantity of product

You will be able to resubmit promo in ${countdown} seconds. test

Please note that the taxes displayed on our website are estimated and subject to adjustment. The actual tax charges will be determined and settled during the final invoicing of your order

product-detail-component

footer-menu

Academic Institutions

K-12

Public Libraries

Government and Special Libraries

Statewide Programs

Institutions

Databases

Primary Sources

Digital Humanities Tools

eLearning

Schools/K-12 Curriculum

Books

Large Print Books by Thorndike Press

Find Your Rep

Product Support

Technical Support

Customer Support

Admin Tools

Accessibility Policy

Partnerships

Contact Us

header

gale-footer

secondary-account-menu

Profile

Orders

Wish List

Fast Order Entry

My Account

FIND YOUR REP

support-order-2

footer-legal-menu-component

footer-social-menu-component

You may already have access to Gale content through your institution.

STUDENTS AND RESEARCHERS

support-order-1

zone3

ELECTRIC SOUNDS: TECH CHANGE & RISE CORP MASS MEDIA

Industry

Business & Economics

Mass Communications & Publishing

Gt Product Group

Binding Format

Marketing Imprint Name

B2B GT

CL Carton Count

Imprint Name

B2B & B2C

Focuses on the innovations in the electronic production and transmission of sound in the 1920s and &apos;30s and their explosive impact on the American mass media, especially the radio, the phonograph, and the cinema.

Electric Sounds

COLFR

COLSO

COLJR

COLSR

Duration

Duration Unit Of Measure

Transaction Type

Front Cover.
Half Title Page.
Title Page.
Copyright Page.
Other Frontmatter.
Contents.
Acknowledgments.
Electric Sounds.
Introduction.
1: Technological Innovation and the Consolidation of Corporate Power.
2: &#x0022;A Roaring Empire of Commerce&#x0022;.
3: Industrial Research, Patents, and Economic Closure Mechanisms.
4: Posing the Question: What Is Broadcasting?.
5: Grafting New Technology Onto Old Media: Phonograph and Cinema.
6: Putting Broadcasting on a Commercial Basis.
7: Multiple-Media Conglomerates and Cross-Media Links.
Conclusion.
8: Announcing Technological Change.
9: Public Performances of Technology.
10: Becoming &#x0022;Sound-Wise&#x0022;: Consumer Pedagogy.
11: History Is Progress: Corporate Embodiment and the End of &#x0022;Cut and Try&#x0022;.
12: Utopian Visions.
13: &#x0022;Science Finds, Industry Applies, Man Conforms&#x0022;.
14: From Performing the Recorded to Dissimulating the Machine.
15: Constructing the Phonograph&#x0027;s Domestic Identity.
16: Radio Enters the Home.
17: Movie Projectionists as Performers.
Conclusion.
18: Making Sound Media Meaningful: Commerce, Culture, Politics.
19: Commerce.
20: Culture.
21: Politics.
Conclusion.
22: Transcription Versus Signification: Competing Paradigms for Representing with Sound.
23: Sound Recording Practice Before the Electrical Era.
24: Acoustic Representation by Electrical Means.
25: Transcription Versus Signification in the Initial Vitaphone and Movietone Releases.
26: The Big Broadcast: Conflicting Models for the Relationship Between Technology and Representation.
27: Hollywood&#x0027;s Sound Practice Debates.
28: Signifying Fidelity: Hollywood&#x0027;s Changing Sound Practice and a Third Conceptual Paradigm.
Conclusion.
Conclusions/Reverberations.
Notes.
Index.
Film and Culture.
Front Cover.
Half Title Page.
Title Page.
Copyright Page.
Other Frontmatter.
Contents.
Acknowledgments.
Electric Sounds.
Introduction.
1: Technological Innovation and the Consolidation of Corporate Power.
2: &#x0022;A Roaring Empire of Commerce&#x0022;.
3: Industrial Research, Patents, and Economic Closure Mechanisms.
4: Posing the Question: What Is Broadcasting?.
5: Grafting New Technology Onto Old Media: Phonograph and Cinema.
6: Putting Broadcasting on a Commercial Basis.
7: Multiple-Media Conglomerates and Cross-Media Links.
Conclusion.
8: Announcing Technological Change.
9: Public Performances of Technology.
10: Becoming &#x0022;Sound-Wise&#x0022;: Consumer Pedagogy.
11: History Is Progress: Corporate Embodiment and the End of &#x0022;Cut and Try&#x0022;.
12: Utopian Visions.
13: &#x0022;Science Finds, Industry Applies, Man Conforms&#x0022;.
14: From Performing the Recorded to Dissimulating the Machine.
15: Constructing the Phonograph&#x0027;s Domestic Identity.
16: Radio Enters the Home.
17: Movie Projectionists as Performers.
Conclusion.
18: Making Sound Media Meaningful: Commerce, Culture, Politics.
19: Commerce.
20: Culture.
21: Politics.
Conclusion.
22: Transcription Versus Signification: Competing Paradigms for Representing with Sound.
23: Sound Recording Practice Before the Electrical Era.
24: Acoustic Representation by Electrical Means.
25: Transcription Versus Signification in the Initial Vitaphone and Movietone Releases.
26: The Big Broadcast: Conflicting Models for the Relationship Between Technology and Representation.
27: Hollywood&#x0027;s Sound Practice Debates.
28: Signifying Fidelity: Hollywood&#x0027;s Changing Sound Practice and a Third Conceptual Paradigm.
Conclusion.
Conclusions/Reverberations.
Notes.
Index.
Film and Culture.

Electric Sounds.css-1p8rvzy{position:absolute;padding-left:8px;}

Electric Sounds