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Reading The Waste Land from the Bottom Up

READING THE WASTE LAND FROM THE BOTTOM UP

Criticism

Literature

World Poetry Criticism

Gt Product Group

Binding Format

Marketing Imprint Name

B2B GT

CL Carton Count

Imprint Name

B2B & B2C

COLFR

COLSO

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COLSR

Duration

Duration Unit Of Measure

Transaction Type

Front Cover.
Half Title Page.
Other Frontmatter.
Title Page.
Copyright Page.
Dedication.
Contents.
Acknowledgments.
Permissions.
A Note on the Text.
Abbreviations.
How to Use This Book.
Introduction A Dog Loping after a Frisbee.
&#x201C;Swallowed up in The One Great Tragedy&#x201D;: World War I and The Waste Land.
&#x201C;Can&#x2019;t He Add Anything?&#x201D;: Reading the Notes.
&#x201C;Miss Weston&#x2019;s Book Will Elucidate the Difficulties of the Poem&#x201D;: Weston&#x2019;s From Ritual to Romance.
&#x201C;To Another Work of Anthropology I am Indebted in General&#x201D;: Frazer&#x2019;s The Golden Bough.
Epigraph &#x201C;And as for the Sibyl, I Saw Her with My Own Eyes&#x201D;: Petronius&#x2019;s Satyricon.
Dedication &#x201C;il Miglior Fabbro&#x201D;: Dante&#x2019;s Purgatorio.
The Burial of the Dead.
1: Line 20 &#x201C;Son of Man&#x201D;: Ezekiel.
2: Line 23 &#x201C;And the Dead Tree Gives No Shelter&#x201D;: Ecclesiastes.
3: Line 31 &#x201C;Frisch Weht Der Wind&#x201D;: Wagner&#x2019;s Tristan und Isolde.
4: Line 48 &#x201C;(Those are Pearls That Were His Eyes)&#x201D;: Shakespeare&#x2019;s Tempest.
5: Line 60 &#x201C;Unreal City&#x201D;: Baudelaire&#x2019;s &#x201C;The Seven Old Men&#x201D;.
6: Line 63 &#x201C;I Had Not Thought Death Had Undone So Many&#x201D;: Dante&#x2019;s Inferno.
7: Line 64 &#x201C;Sighs, Short and Infrequent, Were Exhaled&#x201D;: Dante&#x2019;s Inferno.
8: Line 74 &#x201C;O Keep the Dog Far Hence, That&#x2019;s Friend to Men&#x201D;: Webster&#x2019;s White Devil.
9: Line 76 &#x201C;You! Hypocrite Lecteur!&#x2014;Mon Semblable,&#x2014;Mon Fr&#x00E8;re&#x201D;: Baudelaire&#x2019;s Preface to Fleurs du Mal.
A Game of Chess.
10: Line 77 &#x201C;The Chair She Sat In, Like a Burnished Throne&#x201D;: Shakespeare&#x2019;s Antony and Cleopatra.
11: Line 92 &#x201C;laquearia&#x201D;: Virgil&#x2019;s Aeneid.
12: Line 98 &#x201C;sylvan Scene&#x201D;: Milton&#x2019;s Paradise Lost.
13: Line 99 &#x201C;The Change of Philomel&#x201D;: Ovid&#x2019;s Metamorphoses.
14: Line 111 &#x201C;My Nerves are Bad To-Night&#x201D;: Tom and Vivien Eliot as the Chess Players.
15: Line 118 &#x201C;The Wind Under the Door&#x201D;: Webster&#x2019;s The Devil&#x2019;s Law Case.
16: Line 125 &#x201C;Those are Pearls That Were His Eyes&#x201D;: Shakespeare&#x2019;s Tempest.
17: Line 138 &#x201C;Pressing Lidless Eyes&#x201D;: Middleton&#x2019;s Women Beware Women.
18: Line 172 &#x201C;Good Night, Ladies&#x201D;: Shakespeare&#x2019;s Hamlet.
The Fire Sermon.
19: Line 176 &#x201C;Sweet Thames, Run Softly&#x201D;: Spenser&#x2019;s Prothalamion.
20: Line 182 &#x201C;By the Waters of Leman&#x201D;: Eliot and Lake Leman.
21: Line 192 &#x201C;And on the King My Father&#x2019;s Death Before Him&#x201D;: Shakespeare&#x2019;s Tempest.
22: Line 196 &#x201C;But at My Back from Time to Time I hear&#x201D;: Marvell&#x2019;s &#x201C;To His Coy Mistress&#x201D;.
23: Line 197 &#x201C;The Sound of Horns and Motors&#x201D;: Day&#x2019;s Parliament of Bees.
24: Line 202 &#x201C;Et O Ces Voix D&#x2019;enfants, Chantant Dans La Coupole!&#x201D;: Verlaine&#x2019;s &#x201C;Parsifal&#x201D;.
25: Line 218 &#x201C;I Tiresias&#x201D;: Ovid&#x2019;s Metamorphoses.
26: Line 221 &#x201C;Homeward, and Brings the Sailor Home From Sea&#x201D;: Sappho.
27: Line 253 &#x201C;When Lovely Woman Stoops to Folly&#x201D;: Goldsmith&#x2019;s The Vicar of Wakefield.
28: Line 257 &#x201C;This Music Crept by me Upon the Waters&#x201D;: Shakespeare&#x2019;s Tempest.
29: Line 266 &#x201C;The River Sweats&#x201D;: Wagner&#x2019;s G&#x00F6;tterd&#x00E4;mmerung.
30: Line 279 &#x201C;Elizabeth and Leicester&#x201D;: Froude&#x2019;s The Reign of Elizabeth.
31: Line 293 &#x201C;Highbury Bore Me&#x201D;: Dante&#x2019;s Purgatorio.
32: Line 307 &#x201C;To Carthage Then I Came&#x201D;: Saint Augustine&#x2019;s Confessions.
33: Line 308 &#x201C;Burning Burning Burning Burning&#x201D;: The Buddha&#x2019;s Fire Sermon.
34: Line 309 &#x201C;O Lord Thou Pluckest me Out&#x201D;: Saint Augustine&#x2019;s Confessions.
Death by Water.
35: Line 312 &#x201C;Phlebas the Phoenician&#x201D;: Eliot&#x2019;s &#x201C;Dans le Restaurant&#x201D;.
What the Thunder Said.
36: Headnote The Book of Luke; Weston&#x2019;s From Ritual to Romance.
37: Line 360 &#x201C;Who is the Third Who Walks Always Beside You?&#x201D;: Shackleton&#x2019;s South.
38: Lines 367&#x2013;77 &#x201C;What is That Sound High in the Air&#x201D;: Hermann Hesse&#x2019;s Blick ins Chaos.
39: Line 402 &#x201C;Datta: What Have We Given?&#x201D;: The Brihadaranyaka Upanishad.
40: Line 408 &#x201C;Or in Memories Draped by the Beneficent Spider&#x201D;: Webster&#x2019;s White Devil.
41: Line 412 &#x201C;Dayadhvam: I Have Heard the Key&#x201D;: Dante&#x2019;s Inferno, Bradley&#x2019;s Appearance and Reality.
42: Line 417 &#x201C;Revive for a Moment a Broken Coriolanus&#x201D;: Shakespeare&#x2019;s Coriolanus.
43: Line 425 &#x201C;Fishing, with the Arid Plain Behind Me&#x201D;: Weston&#x2019;s From Ritual to Romance.
44: Line 428 &#x201C;Poi S&#x2019;ascose Nel Foco Che Gli Affina&#x201D;: Dante&#x2019;s Purgatorio.
45: Line 429 &#x201C;Quando Fiam Uti Chelidon&#x201D;: Pervigilium Veneris.
46: Line 430 &#x201C;Le Prince D&#x2019;Aquitaine &#x00E0; La Tour Abolie&#x201D;: Nerval&#x2019;s &#x201C;El Desdichado&#x201D;.
47: Line 432 &#x201C;Why Then Ile Fit You. Hieronymo&#x2019;s Mad Againe&#x201D;: Kyd&#x2019;s The Spanish Tragedy.
48: Line 434 &#x201C;Shantih Shantih Shantih&#x201D;: Upanishads.
Works Cited.
Index.

Reading The Waste Land from the Bottom Up.css-1p8rvzy{position:absolute;padding-left:8px;}

Reading The Waste Land from the Bottom Up