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<P>This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilized as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological, and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research. It offers the most comprehensive, international collection of research on art crime; includes contributions from practitioners including members of Interpol, UNESCO and the National Portrait Gallery; and draws on criminology, law, art history and museum studies.</P>

The Palgrave Handbook on Art Crime

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THE PALGRAVE HB ON ART CRIME

Duration

Duration Unit Of Measure

Transaction Type

Front Cover.
Other Frontmatter.
Title Page.
Copyright Page.
Acknowledgements.
Contents.
Notes on Contributors.
List of Figures.
List of Tables.
1: Setting the Context.
2: Art Crime: Exposing a Panoply of Theft, Fraud and Plunder.
3: One Looter, Two Looters, Three Looters &#x2026; The Discipline of Cultural Heritage Crime Within Criminology and Its Inherent Measurement Problems.
4: Art Crime Literature: A General Overview.
5: The Antiquities Licit-Illicit Interface.
6: INTERPOL and International Trends and Developments in the Fight Against Cultural Property Crime.
7: Art Theft.
8: Art Theft: An Examination of Its Various Forms.
9: Unsolved Art Thefts.
10: &#x201C;Purely Bent on Mischief&#x201D;: Theft from Australian Museums 1870s&#x2013;1950s.
11: Protecting Works of Art from Theft.
12: Regional Overviews of the Policing of Art Crime in the European Union.
13: Recovering Stolen Artworks: A Practical Approach.
14: Insurance Challenges and Art Crime.
15: Statutes of Limitation and Other Legal Challenges to the Recovery of Stolen Art.
16: Art Fraud and Forgery.
17: Profiling Art Forgers.
18: Examining Art Fraud.
19: Case Study 1: Beltracchi and the History of Art Fraud in Germany.
20: Case Study 2: The Knoedler Art Forgery Network.
21: Case Study 3: A Perspective from the Fakery Frontline&#x2014;An Interview with an Art Forger.
22: Unmasking Art Forgery: Scientific Approaches.
23: Art Plunder.
24: Plunder and Looting: Some Historical Reminders.
25: The Criminal Organization of the Transnational Trade in Cultural Objects: Two Case Studies.
26: The Kapoor Case Including the Stolen Shiva.
27: Cultural Heritage Offences in Latin America: Textile Traffickers, Mummy Mailers, Silver Smugglers, and Virgin Vandals.
28: Cultural Heritage Offences: A View from Asia.
29: Bones of Contention: The Online Trade in Archaeological, Ethnographic and Anatomical Human Remains on Social Media Platforms.
30: Forging Antiquities: The Case of Papyrus Fakes.
31: The Gurlitt &#x2018;Collection&#x2019; and Nazi-Looted Art.
32: Blue Shield Protection of Cultural Property: A Perspective from the Field.
33: Iconoclasm: Religious and Political Motivations for Destroying Art.
34: Iconoclasm and Cultural Heritage Destruction During Contemporary Armed Conflicts.
35: Protecting and Preserving Underwater Cultural Heritage in Southeast Asia.
36: The Development of the Heritage Crime Programme in England.
37: The International Politics of Cultural Heritage Crime in Cambodia: Past, Present and Future.
38: Preventing Illicit Trafficking of Cultural Objects: A Supply Chain Perspective.
39: Some Ethical and Allied Challenges.
40: The Return of Looted Objects to Their Countries of Origin: The Case for Change.
41: Illicit Antiquities in American Museums: Diversity in Ethical Standards.
42: White-Collar Crime, Organised Crime and the Challenges of Doing Research on Art Crime.
43: In Vacuums of Law We Find: Outsider Poiesis in Street Art and Graffiti.
44: Taking Culture and the Balancing Act of Power.
Index.

The Palgrave Handbook on Art Crime.css-1p8rvzy{position:absolute;padding-left:8px;}

The Palgrave Handbook on Art Crime