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The Cambridge Companion to Alfred Hitchcock

CMBRDG CMPNNS TO AMERICAN STUDIES: ALFRED HITCHCOCK

Film Studies

Media & Fine Arts

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<P>Alfred Hitchcock was, despite his English origins and early career, an American master. Arriving on US shores in 1939, for the next three decades he created a series of masterpieces that redefined the nature and possibilities of cinema itself: Rebecca, Notorious, Strangers on a Train, Rear Window, Vertigo and Psycho, to name just a few. In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender and desire over his American career. This Companion explores the way in which Hitchcock was transformed by the country where he made his home and did much of his greatest work. This book will be invaluable as a guide for both fans and students of Hitchcock and twentieth-century American culture, providing a set of new perspectives on a much-loved and hugely influential director.</P>

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Front Cover.
The Cambridge Companion to Alfred Hitchcock.
The Cambridge Companion to American Studies.
Title Page.
Copyright Page.
Contents.
Illustrations.
Notes on Contributors.
Acknowledgments.
Chronology.
Guide to Further Reading.
Filmography: Hitchcock&#x2019;s American Films.
Introduction.
Hitchcock Encounters America, America Encounters Hitchcock: Roots and Offshoots.
1: Hitchcock and the Studio System.
2: Creating the Brand: The Hitchcock Touch.
3: Hitchcock on Location: America, Icons, and the Place of Illusion.
4: Hitchcock, Class, and Noir.
5: American Civilization and Its Discontents: The Persistence of Evil in Hitchcock&#x2019;s Shadow of a Doubt.
Hitchcock: Sexualities, Genders, Theories.
6: Alfred Hitchcock and Feminist Film Theory (Yet Again).
7: Hitchcock and Queer Sexuality.
8: Mrs. Bates&#x2019;s Smile: Psycho and Psychoanalysis.
Hitchcock&#x2019;s American Films: Some Case Studies in Form and Content.
9: Expedient Exaggeration and the Scale of Cold War Farce in North by Northwest.
10: Looking Up: Class, England, and America in the Man Who Knew Too Much.
11: Blood, Paint, or Red?: The Color Bleed in Hitchcock.
12: Live Nude Hitchcock: Final Frenzies.
Hitchcock Beyond Hitchcock.
13: The School of Hitchcock: Swimming in the Wake of the Master.
Index.

The Cambridge Companion to Alfred Hitchcock.css-1p8rvzy{position:absolute;padding-left:8px;}

The Cambridge Companion to Alfred Hitchcock